In this work Múz captured a sculpture while it is emerging from its own materiality. We are braking into the making of a sculpture halfway and stop its completion at this crucial point of becoming to take note of this fascinating process. To conserve a process - which is somehow contradictory to the concept of conservation- in reenacting the joy present in the making of a work and to make this phenomenon available to the eyes of the beholder. The twofoldedness is represented in the intertwining of two primitive organisms.